Showing posts with label Rocky Mountain Fiction Writers Colorado Gold Writing Contest. Show all posts
Showing posts with label Rocky Mountain Fiction Writers Colorado Gold Writing Contest. Show all posts

Tuesday, January 22, 2013

Mariano's Crossing by David M. Jessup: A Book Review

Last week I told you about Sylvan Dale Guest Ranch near Loveland, Colorado and what a great place it is for a writers' retreat.

Sylvan Dale is of special interest because one of the co-owners is David M. Jessup, a former winner of the Colorado Gold writing contest in the mainstream fiction category for his historical novel Mariano's Crossing. He is working on a second book involving Mariano Medina’s earlier life. Mariano's Crossing was also a finalist in the Pacific Northwest Writers Contest and the Santa Fe Writers Project.

A history buff, David is also passionate about preserving open space, battling invasive weeds, catching wild river trout on a fly, singing cowboy songs, and telling stories about the American West—some of them true. His blog, Beef, Books and Boots, contains stories of ranch life, articles on sustainable grass-fed beef, and information about his and his wife, Linda’s, favorite books on the American West.

For more information about David and his novel, visit his website.

~~~~~~~~~~~~~~~~~~~~~~~~~


Mariano's Crossing
by David M. Jessup
Pronghorn Press (September, 2012)
ISBN: 978-1932636895
Paperback $22.95 E-book $5.99


Synopsis from author's website

"Mariano Medina, a former scout with Kit Carson, has become the richest man on Colorado’s Big Thompson River. But his success provokes resentment among the new settlers. To bolster respect for his family, Medina decides to send his daughter, Lena, to an expensive boarding school. But his Indian wife, Takansy, has other ideas. She wants Lena to pursue her skills with horses, her “spirit path.” As their conflict grows, young John Alexander, son of a domineering, hardscrabble sawmill owner, tries to persuade Lena to run away with him to start a new life. Their tug of war soon spirals out of control as secrets past and present propel them toward their final, haunting encounter."

Review

David Jessup imagined a story surrounding a real-life event and the real people involved and turned it into an award-winning novel of historical fiction based in the Colorado country he calls home.

Mariano Medina and his family faced the hardship of 1860s western life during a time when religious and cultural prejudice prevented many folks from accepting Medina's family into the community. His financial success did not help his cause, creating even more trouble for a family already torn apart by an internal struggle for cultural dominance between the Catholic Medina and his Indian wife, Takansy, who refused to cut her ties to her tribe's spiritual teachings.

Medina and Takansy's daughter, Lena, is caught in the middle. Anxious to please her father as well as her mother, she is confused and conflicted by their very different dreams for her future. Her life becomes even more complicated when she is attracted to John Alexander, a young man who wants to drag her away from her family to live a much different life as a ranch wife and mother.

Told from multiple points of view and using both present and past tense to distinguish the present (around 1872) to the past (1862), Mariano's Crossing is a convincing historical treatment. It's hard to believe the story may not have unfolded exactly as told because each character has his own voice and is so believable the reader is convinced each one told his version to Jessup in person.


Mariano's Crossing is an excellent and fast read, especially for those who love Colorado history and enjoy the connection to real people and actual events.

~~~~~~~~~~~~~~~~~~~~~~~~~

Posted by Patricia Stoltey who read Mariano's Crossing when she took her deliciously quiet blogging/writing/social media break over the holidays. A signed copy of the book was purchased through the author's website.

Monday, March 19, 2012

The 2012 Colorado Gold Writing Contest!

By Janet Fogg

Oh, so you’re just thinking about entering The Colorado Gold Contest for unpublished writers and want my thoughts? Let me ask you something first, though. It sounds as if you’re trying to find an excuse to avoid entering. Why? What’s the problem?

What?! You’re afraid you won’t win? Well, pull up a chair and let me share a few thoughts about winning. To be honest though, I’m far more anxious to talk about losing.

Yes, I’ve won my share of contests and it’s exciting. First you receive word that you’re one of the finalists in your category. At the big banquet, all spiffed in your fancy pants, your heart pounds when your name is called. You bolt to the podium amidst waves of applause. And then, the moment of truth. Who won? You did? Applause! The editor picked your entry and now she’s shaking your hand!

Shhhh… Here’s what you’ll do later, right? You’ll find her in the bar or hospitality suite and thank her for selecting your manuscript. Then, at the perfect moment, she’ll undoubtedly lean close and slip you a three-book contract.

Ahem. You really do write fiction, don’t you?

What will really happen is that you'll have an edge, and the final judge in your category might just request a full. Regardless, you’ll have increased confidence as well as additional credentials to boost your resume, which is very helpful in this profession of ours. But wait, there's more.

Cut to scene at pitch meeting: ME, many years ago: “Hi, Big $$ Agent! I’ve had several articles published as well as one short story, and I just won first place in the Colorado Gold Contest for my time-travel, Soliloquy... Yes, it’s complete, about 80,000 words. Sure, I have a few pages with me. Here.”

BIG $$ AGENT (flipping through the first three pages): “Well, at least you can write. Here’s my card, send me the manuscript next week. I'll take a look.”

Happy dance! Was it because I’d polished and honed and studied and fussed and fumed and listened to my friends in critique regarding those first 20 pages, which helped me win the contest? Most likely. But I didn't win first place the first time I entered.

Speaking of not winning, I want to talk about losing a writing contest and why that’s not a bad thing. Yes, I know it’s not politically correct to say “you lost,” but if you didn’t win that means you lost. Or does it?

Alone, in the dark (and sometimes stormy) night, I’d written my first book. Then I attended a class on How to Get Published. At the class I joined fellow attendees to form a critique group (Uff Da!). During that class I also learned about writing organizations, conferences, and contests. I learned about RMFW. I wasn’t alone anymore.

Entering my first Colorado Gold contest was scary-fun. I remember being chew-on-your-elbows nervous when preparing my entry, to the point that I probably had the rules memorized from double-checking them. I already mentioned I didn't win first place in that first contest I entered. But in retrospect I did win, BIG time.

The RMFW conference and contest were my first real foray into the big, bad world of publishing. When I didn’t win first place I was flattened. Think fresh asphalt on a hot day. I was so certain that I would be the next Zenna Henderson or Julian May. The world of fantasy would be mine for the taking… and it wasn’t. But the writers and editors and agents at the conference welcomed me to their panels and luncheons and dinners, and we talked, talked, talked about writing and publication. I doubt that I’ve ever learned so much in so few days. But I was still sad about not winning first place.

At some point I hitched up my britches, grabbed a cup of tea, and carefully arranged my score sheets on the dining room table so I could study them on a warm, optimistic morning. Oh no, look at this, where I keep shifting POV! Oh no, look at that passive text! Deep breath. Oh wait, here’s a nice comment. This judge liked my synopsis, said the overall story holds together. And this judge said my voice is INCREDIBLE. All in caps! Wow! Then she said if I’d tighten my pacing, address a few mechanical issues such as POV and passive text, that she would have purchased my book if flipping through it at a bookstore!

I’d already sent out at least a half-dozen queries before entering that contest. I should dig them out and send apologies to each of those editors. Don’t get me wrong, I’m proud of my first manuscript, my very first try at novel-length fiction, but I now recognize how poorly it’s crafted, that it lacks pacing, subplots, and world-building. The comments from the contest helped me recognize what I needed to study to improve my next effort. And manuscript number two was better. I kept entering contests, reading, attending critique, learning, and most importantly, writing new words. Then, with manuscript number three I finally landed my first publication contract.

But let’s talk rejection for a moment. There could be an analogy made between losing a contest and that loss preparing you for a glimpse of the future, when query after query might trigger rejection after rejection. In other words, the contest is kind of an apprenticeship for the world of publishing. You want to win the contest and you want to win a publication contract. To win either there are lessons to be learned, words to write, worlds to conquer.

When an agent sends comments with a rejection this is a compliment, even though they're attached to a rejection. Just like in the contest, there are lessons to be learned from those comments. Yes, you do have to filter all comments, decide if you agree or disagree. But your writing will improve and someday you will win! First you’ll land an agent or you’ll meet an editor and pitch to them. They’ll love your story idea and request a partial, then a full. You’ll receive an offer and then… a contract!

So when it comes to writing contests, it seems as if losing might just be winning. Of course winning is winning as well. Guess that means you can’t lose, doesn’t it?

---------------------------------

Workshop alert!

Colorado Gold Writing Contest Workshop
March 24, 2012, from 1:00pm to 3:00pm
Lakewood Library
10200 W. 20th Ave. (West of Kipling at Miller St.)
Lakewood, Colorado

Here's your opportunity to get a heads up on the 2012 Colorado Gold Writing Contest. Join Terry Wright for this pre-contest workshop and learn how you can increase your chances of making the finals. That's what it takes to get your work in the hands of an agent or editor attending the Colorado Gold Writers Conference in September. It just might turn out to be the big break you've been working for. Publication. However, if your verbs are passive, your scenes are vague, or your characters are flat, and/or your synopsis is more plot than character, you might miss the final round. So take the time to benefit from Terry's 12 years of experience as a contest judge and coordinator.

For additional information on the contest, visit RMFW’s contest page.

Monday, April 18, 2011

Colorado Gold Writing Contest? High Five!

by Janet Fogg

Oh, so you’re just thinking about entering The Colorado Gold Contest for unpublished writers and want my thoughts? Let me ask you something first, though. It sounds as if you’re trying to find an excuse to avoid entering. Why? What’s the problem?

What?! You’re afraid you won’t win? Well, pull up a chair and let me share a few thoughts about winning. To be honest though, I’m far more anxious to talk about losing.

Yes, I’ve won my share of contests and it is exciting. First you receive word that you’re one of the finalists in your category. At the big banquet, all spiffed in your fancy pants, your heart pounds when your name is called. You bolt to the podium amidst waves of applause. And then, the moment of truth. Who won? You did?! High Five! The editor picked your entry and now she’s shaking your hand!

Shhhh… Here’s what you’ll do later, right? You’ll find her in the bar or hospitality suite and thank her for selecting your manuscript. Then, at the perfect moment, she’ll undoubtedly lean close and slip you a three-book contract. Ahem. You really do write fiction, don’t you?

What really will happen is that you'll have an edge, and the final judge in your category might just request a full. Regardless, you’ll have increased confidence as well as additional credentials to boost your resume, which is very helpful in this profession of ours. But wait, there's more.

Cut to scene at pitch meeting: ME, many years ago: “Hi, Big $$ Agent! I’ve had several articles published as well as one short story, and I just won first place in the Colorado Gold Contest for my time-travel, Soliloquy... Yes, it’s complete, about 80,000 words. Sure, I have a few pages with me. Here.”

BIG $$ AGENT (flipping through the first three pages): “Well, at least you can write. Here’s my card, send me the manuscript next week. I'll take a look.”

High Five! Was it because I’d polished and honed and studied and fussed and fumed and listened to my friends in critique regarding those first 20 pages, which helped me win the contest? Most likely. But I didn't win first place the first time I entered.

Speaking of not winning, I want to talk about losing a writing contest and why that’s not a bad thing. Yes, I know it’s not politically correct to say “you lost,” but if you didn’t win that means you lost. Or does it?

Alone, in the dark (and sometimes stormy) night, I’d written my first book. Then I attended a class on How to Get Published. At the class I joined fellow attendees to form a critique group (Uff Da!). During that class I also learned about writing organizations, conferences, and contests. I learned about RMFW. I wasn’t alone anymore.

Entering my first Colorado Gold contest was scary-fun. I remember being chew-on-your-elbows nervous when preparing my entry, to the point that I probably had the rules memorized from double-checking them. I already mentioned I didn't win first place in that first contest I entered. But in retrospect I did win, BIG time.

The RMFW conference and contest were my first real foray into the big, bad world of publishing. When I didn’t win first place I was flattened. Think fresh asphalt on a hot day. I was so certain that I would be the next Zenna Henderson or Julian May. The world of fantasy would be mine for the taking… and it wasn’t. But the writers and editors and agents at the conference welcomed me to their panels and luncheons and dinners, and we talked, talked, talked about writing and publication. I doubt that I’ve ever learned so much in so few days. But I was still sad about not winning first place.

At some point I hitched up my britches, grabbed a cup of tea, and carefully arranged my score sheets so I could study them on a warm, optimistic morning. Oh no, look at this, where I keep shifting POV! Oh no, look at that passive text! Deep breath. Oh wait, here’s a nice comment. This judge liked my synopsis, said the overall story holds together. And this judge said my voice is INCREDIBLE. All in caps! Wow! Then she said if I’d tighten my pacing, address a few mechanical issues such as POV and passive text, that she would have purchased my book if flipping through it at a bookstore!

I’d already sent out at least a half-dozen queries before entering that contest. I should dig them out and send apologies to each of those editors. Don’t get me wrong, I’m proud of my first manuscript, my very first try at novel-length fiction, but I now recognize how poorly it’s crafted, that it lacks pacing, subplots, and world-building. The comments from the contest helped me recognize what I needed to study to improve my next effort. And manuscript number two was better. I kept entering contests, reading, attending critique, learning, and most importantly, writing new words. Then, with manuscript number three I finally landed my first publication contract. High Five!

But let’s talk rejection for a moment. There could be an analogy made between losing a contest and that loss preparing you for a glimpse of the future, when query after query might trigger rejection after rejection. In other words, the contest is kind of an apprenticeship for the world of publishing. You want to win the contest and you want to win a publication contract. To win either there are lessons to be learned, words to write, worlds to conquer.

When an agent sends comments with a rejection this is a compliment, even though they're attached to a rejection. Just like in the contest, there are lessons to be learned from those comments. Yes, you do have to filter all comments, decide if you agree or disagree. But your writing will improve and someday you will win! First you’ll land an agent or you’ll meet an editor and pitch to them. They’ll love your story idea and request a partial, then a full. You’ll receive an offer and then… a contract! High Five!

So when it comes to writing contests, it seems as if losing might just be winning. Of course winning is winning as well. Guess that means you can’t lose, doesn’t it?

Next week join me for: The Four Horsemen of the Apostrophe

Wednesday, March 16, 2011

Authors Who Got Their Break Through Gold

If you’re a writer—pre-published, you want a book deal. And if you haven’t discovered this already, you’ll learn that strictly querying agents and editors typically takes longer to achieve results. They’re inundated. So, the consensus agrees that a pre-published scribe must seek additional paths like: networking, conferences, and contests.

The Colorado Gold Writing Contest can accelerate your success.

New York Times bestselling and Edgar Award winning author C.J. Box launched his career with G.P. Putnam’s Sons and St. Martins Press through Gold...

Jessica Wulf sold her first three books to Kensington as result of winning the contest...

Peggy Waide landed her first deal with Leisure Books through the Gold…

Urban fantasy author Julie Kazimer wowed Editor Peter Senftleben of Kensington last year through Gold and signed a two-book deal…

Joy Meredith won the contest in the category she entered and gained agent represenatation…

And not to mention that some of the RMFW alumni who scored deals as members include, Diane Mott Davidson, Mario Acevedo, Jeanne Stein, Carol Berg, Margaret Coel, and more!

The list goes on.

Entries to the Gold contest are limited to 200. It works in your favor! This is one of the huge reasons Rocky Mountain Fiction Writers can connect pre-published writers with book deals. An agent gets between 400 and 800 queries in just a week! The stack sent to publishing companies that accept submissions climbs even higher. Cut past the pile and put your manuscript in one of the best focused chances to get it to an editor or agent.

Enter early! Contest starts April 1st 2011. The registration will fill up fast!

Veteran Contest Chair Terry Wright has insider tips for our Chiseled in Rock readers!

#1. Get the hook in as quickly as possible. Set the stakes early. Conflict. Tension. Suspense. One, two, or all on every page. Keep the story moving forward. #2. Keep back story and exposition to a minimum. Resist the urge to explain. #3. Understand your story’s structure and character arcs and get that information into the synopsis. Contests are often won or lost on the synopsis points. “The Secret Ingredients of a Winning Synopsis,” a PDF available for download can be found at http://www.rmfwcontest.com/.

Terry further says, “The biggest mistake I have seen over and over again throughout my years is the tendency writers have to write down the movie that is playing in their minds, step by step, scene by scene, without getting into a character’s POV and revealing to the reader that person’s inner self, his/her response to stimuli, internalizations, visceral feelings, the hopes, dreams, and fears that drive your characters through the story and drag the reader along until the sun comes up.”

Terry will also be hosting a contest preparation workshop Saturday March 19th from 1-3pm at Belmar Library, 555 S Allison Parkway in Arvada CO. Free to the public.

Best of luck to all who enter! We look forward to seeing your book in the stores!